It’s always a pleasure to speak with Ken Levine, creative director for the award-winnging BioShock and the PS3 dystopian epic BioShock Infinite. Ken’s been good enough to drop by the PlayStation.Blog before, bringing news of PlayStation Move support as well as an upcoming PS Vita BioShock game, but we’ve never been able to immortalize him in crisp HD video.
Until now. In Rey’s lovingly produced video feature, Levine lays out his plan for Infinite domination, starting with creating a convincing relationship between lead characters Booker and Elizabeth as they seek to escape the crumbling city of Columbia. Levine also touches on the origins of Songbird, a biomechanical beast that has jealously locked Elizabeth in the depths of Columbia since her birth. Songbird completes a warped sort of love triangle between Booker and Elizabeth that promises to play out in the game in a big way. “There’s a lot of mystery around Songbird, and I think people will be surprised by his relationship with Elizabeth — it’s a complicated relationship that has elements of light and elements of darkness.“ Levine also muses on the PlayStation Move motion controller and Killzone 3′s much-praised FPS implementation, as well as his instincts on PS3 gaming as a whole. “I think the platform is really hitting its stride right now,” he told me. “The exclusives have been great and it’s been a really interesting platform to watch develop.”
PSB: Replayability is a hot topic for single-player-focused games. Have you been thinking about ways to encourage replay, maybe a New Game Plus mode? Is that up for debate?
Levine: I’ll just say that yes, we do think a lot about this topic. I can’t talk about what we’re thinking specifically. If we’re going to do it, we want to find a BioShock way to do it. People will see more as time goes on.
PSB: Are you intrigued about any gaming applications for stereoscopic 3D?
Levine: For me, it’s all about having something interesting to say with it. I’m never interested in technology in terms of checking a box. We didn’t do multiplayer for BioShock because we thought we would be checking a box if we did. Anything we do has to be unique, interesting, and be appropriate for the game.
So we’re thinking about that stuff now. So if we have that, then that’s a road we may go down.
PSB: What’s your secret for building mystique and mystery in a game like BioShock Infinite?
Levine: I think it’s an issue of detail, of the creators not being satisfied until they really understand their worlds, which takes time to develop. Some creators carry these things in their heads for a long time, or have had a lot of time to make a lot of mistakes.
It’s about consistency, having a consistent aesthetic. It’s difficult. It requires that you not be satisfied with any old thing. It’s the difference between some guy making a crappy action film versus the Coen brothers. They care about the details, they care about the consistency from frame to frame. Each Coen brothers movie feels like a full world. Look at A Serious Man versus True Grit versus Miller’s Crossing. They’re such different worlds, but they’re so rich. There’s no magic formula: It comes down to sweating all the details.
PSB: Based on your Tweets, you’re pretty positive on PS Vita. What do you like about the concept?
Levine: I’m a gamer, right? I like playing games on iPad… but deep down I want that level of control. What’s cool about PS Vita is that it seems to have all the benefits of an iPad-type device with the touchscreen and motion controls. But it has dual analog sticks….and I love shooters. You can finally play a shooter, a real shooter, on a handheld. Seriously, that’s a hole in my soul right now. Now I’ll have something I can play real shooters on, and that’s really important to me. It’s awesome.
I Tweeted a while ago that it did everything but make me an omelet. It sort of has everything and the kitchen sink in it, which is great as a gamer.
PSB: Replayability is a hot topic for single-player-focused games. Have you been thinking about ways to encourage replay, maybe a New Game Plus mode? Is that up for debate?
Levine: I’ll just say that yes, we do think a lot about this topic. I can’t talk about what we’re thinking specifically. If we’re going to do it, we want to find a BioShock way to do it. People will see more as time goes on.
PSB: Are you intrigued about any gaming applications for stereoscopic 3D?
Levine: For me, it’s all about having something interesting to say with it. I’m never interested in technology in terms of checking a box. We didn’t do multiplayer for BioShock because we thought we would be checking a box if we did. Anything we do has to be unique, interesting, and be appropriate for the game.
So we’re thinking about that stuff now. So if we have that, then that’s a road we may go down.
PSB: What’s your secret for building mystique and mystery in a game like BioShock Infinite?
Levine: I think it’s an issue of detail, of the creators not being satisfied until they really understand their worlds, which takes time to develop. Some creators carry these things in their heads for a long time, or have had a lot of time to make a lot of mistakes.
It’s about consistency, having a consistent aesthetic. It’s difficult. It requires that you not be satisfied with any old thing. It’s the difference between some guy making a crappy action film versus the Coen brothers. They care about the details, they care about the consistency from frame to frame. Each Coen brothers movie feels like a full world. Look at A Serious Man versus True Grit versus Miller’s Crossing. They’re such different worlds, but they’re so rich. There’s no magic formula: It comes down to sweating all the details.
PSB: Based on your Tweets, you’re pretty positive on PS Vita. What do you like about the concept?
Levine: I’m a gamer, right? I like playing games on iPad… but deep down I want that level of control. What’s cool about PS Vita is that it seems to have all the benefits of an iPad-type device with the touchscreen and motion controls. But it has dual analog sticks….and I love shooters. You can finally play a shooter, a real shooter, on a handheld. Seriously, that’s a hole in my soul right now. Now I’ll have something I can play real shooters on, and that’s really important to me. It’s awesome.
I Tweeted a while ago that it did everything but make me an omelet. It sort of has everything and the kitchen sink in it, which is great as a gamer.
Levine: [laughs] I don’t like to say what I think. It would just get in the way of what the games are saying. I love that some people play BioShock and think that I’m an Objectivist, or that I’m a rabid anti-capitalist. I don’t really Tweet much about politics, not because I don’t have opinions but because we make games that touch on politics.
If you’ve played the games, I think you can probably suss where I’m at. We tend to make games about characters caught between larger forces. They’re just trying to get by, and they’re surrounded by ideologies and incredibly powerful people. I think a lot of people feel that way. I sure do. I have strong feelings about this or that…but the only thing, politically, that I come out about is gay marriage, which I feel so strongly about. People should be able to marry who the hell they want, and it affects so many people that I care about. I’d rather not have a career than not talk about that.
In general, I get very nervous when people are absolutely certain about anything.
Levine: Yeah, of course! How can you not be an UNCHARTED fan? They’ve managed to make characters that are so appealing, you just love being around them. There aren’t a lot of interesting characters in video games, and that’s why Amy and Evan and their team are so good at what they do. The technology is so competent, the controls feel responsive, the characters are great…how can you not love UNCHARTED?
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